2014 in review

The WordPress.com stats helper monkeys prepared a 2014 annual report for this blog.

Here’s an excerpt:

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 18,000 times in 2014. If it were a concert at Sydney Opera House, it would take about 7 sold-out performances for that many people to see it.

Click here to see the complete report.

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Judging the Magic Oxygen Literary Prize

photo (6)I spent last weekend in a pleasant farmhouse in Devon with a bunch of other writers, editors and publishers, judging the Magic Oxygen Literary Prize.

It was the first time I have been involved in judging a competition – though over the years I have entered many of them and won some. I agreed happily when I was asked to be involved as I saw competitions as an important part in my development as a writer and was delighted to support other writers in the same way I received support.

It was a lot of fun to do and, as a fantastic bonus, the organisers are planting a tree for every entry in Bore, Kenya and working to provide a schoolhouse for Kundeni school.

I understand there were around 800 or so entries across the categories for short stories and poetry. That’s a lot to get through, even with a fairly large panel of judges. There was an initial round of judging in which some entries fell by the wayside but there were still many hundreds of poems and stories in the final round of judging when each one was read and marked from zero to five by four different judges.

photo (4)It was hard work I suppose but not like being down a coal mine or anything. We had meal breaks to put the world to rights, a nice glass of wine in the evening and even a little jaunt to Lyme Regis, over the border in Dorset.

The rest of the time we sat around on sofas and read, and read, and then read some more. I judged some of the poetry but mainly I stuck to short stories, there was no way I could have sight of all of them but I read as many as I possibly could in the time available.

As a result I have a few observations I’d like to share about the stories I read. We found some fantastic, high quality winners you can be sure but I would like to talk about the general mass of entries because I know that‘s where my stories sat when I first started entering competitions and because I would have liked to have the feedback. You can be sure I’m not talking about anybody’s story in particular here – all the work we judged was anonymous and these are just general impressions I got from reading them overall. They are points which might help you if you are entering other competitions.

Generally speaking a lot of what I read could be described as ‘okay‘. It wasn’t terrible, nor was it great – it was a two or three out of five. That’s a decent place to start as a writer, but it isn’t going to win you any prizes. There were some common problems I found with these stories which were just okay.

Don’t forget the plot
An issue which cropped up all too often was that there was just not enough plot in the story to make you want to commit to it as a reader. These were supposed to be short stories – yet sometimes there was no story. Instead we were offered a monologue or a think-piece or a ramble. Often, in the last few pars, there was an attempt at a conclusion, as if to try to convince the reader that what they had read was a narrative. It wasn’t. A lot more discipline should have been brought to bear in the planning stage.

photo (5)Porridge prose
Another common theme was that many of these stories could have done with a good edit. The style was regularly stodgy, lacking in bite or focus. These were supposed to be short stories yet many weren’t short enough. Yes, they fell within the 4,000 limit but that’s supposed to be a maximum, not a target to aim for. There were too many words doing too little work. This is partly a rewriting issue. Put your piece aside for a while after writing it, then take an honest red pen to it. Think of it as a long poem, make every word count.

Take risks
I was a little disappointed to find the writing style of many of the stories was quite conservative. I was expecting to find flights of fancy and metaphors which stretched themselves to breaking point. These are the mistakes young writers sometimes make but at least it shows they are trying. So many of the stories here refused to take risks with the language – they were plain almost to a fault.
So there we go, those were my personal opinions of course, not those of the judges overall. A final point – I learned a lot from not winning competitions, it led me to improve and up my game until eventually I did start winning some, so if you entered Magic Oxygen but didn’t get among the prizes don’t despair – just write another story or poem, and have a go at another competition!

Song of the Sea GodIf you get a moment to take a look at the (ahem) award-winning Song of the Sea God.

You can look inside to read the first few pages free and download a free Kindle sample for UK readers here. And for readers in the USA here.

Entering Short Story Competitions

800px-13-02-27-spielbank-wiesbaden-by-RalfR-037Should you bother?
It’s a yes in my view. I used to enter lots of short story competitions when I was first starting out as a writer, and for a good while after too. I got precisely nowhere in most of them of course, but I did win some, including a big one in the UK called the Bridport Prize which is quite well thought of among those who take an interest in such things.
I’d advise anyone to have a go at these competitions if they are currently piling up stories or have a few stashed away in a drawer. They give you something to aim for and provide a tremendous boost if you get a win, place or are shortlisted. Dare I say it, they also get you used to the disappointment of losing – and that’s quite a useful thing to learn when you start looking for a publisher.

Are you better off submitting to magazines?

A writer asked me recently on Twitter whether the odds are better of getting your work published in magazines than they are in winning these competitions and to be honest I don’t really know. But what I’d suggest is there’s nothing to stop you submitting to magazines and websites and, at the same time, entering competitions.
If your aim is publication then it’s worth knowing that the competitions often produce anthologies which include not only the winners and runners-up but sometimes short listed entries too.
I used to submit to both competitions and magazines of various types – I found my rates of success and failure about the same for both.

800px-QWERTZ_swissShould you write stories specifically to win competitions?
For the most part I used to write the stories I wanted to write then try to find a suitable home for them. I did that rather than trying to write to order for particular competitions because my primary aim was to produce the work I had to to grow as a writer. Some competitions are very specific in the type of story they require in terms of theme, genre etc, but the majority keep things fairly vague, some just give you a maximum word count. Plus there are a lot of them so you can find a home for most things in the end.

Does it cost much?
Inevitably, it does cost money to enter competitions, but I used to see it as money well spent as it gave me a sense of purpose with my work. I wasn’t just filling up my computer hard drive with data, I was creating something with which I had a chance of winning glittering prizes.
If I’d not won anything I would still have considered that the motivation the competitions gave me to write made them worthwhile, but I did start getting among the prizes and of course that changes the financial situation in your favour – especially if you have a big win, running into the thousands.

Read the small print
One piece of advice I’d offer is to read the rules, tiresome as this may be, before you submit. For example, one reason I don’t enter these very much any more is that many don’t allow published authors. If you have a book out you count as a pro as far as the organisers are concerned – they treat me and Stephen King just the same, probably due to the huge sums of money we both make from our books (irony alert).
That’s just one example of a rule you might stumble over – there are many more, and it would be a shame to have your masterpiece ruled out on a technicality.

Where do you have more chance?
Obviously the bigger and more high-profile the competition the more entries it will attract. So if you are starting out look for:

  • new competitions,
  • ones which accept hard copy entry only,
  • ones which offer smaller prizes,
  • ones which are open only to people from your region. All of these will give you a higher chance of success.

Where to find them
Lists of these are all over the internet, but here’s one or two of my favourite places to look for the latest competitions.

Song of the Sea GodIf you get a moment to take a look at the (ahem) award-winning Song of the Sea God.

You can look inside to read the first few pages free and download a free Kindle sample for UK readers here. And for readers in the USA here.